Grammy Awards - 5th 1962
Record of the Year
“I Left My Heart in San Francisco,” Tony Bennett
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Album of the Year
The First Family, Vaughn Meader (Cadence)
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| Song of the Year
| “What Kind of Fool Am I,” Leslie Bricusse and Anthony Newley, songwriters
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| Best New Artist of 1962
| Robert Goulet
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| Best Solo Vocal Performance, Male
| I Left My Heart in San Francisco, Tony Bennett
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| Best Solo Vocal Performance, Female
| Ella Swings Brightly With Nelson Riddle, Ella Fitzgerald
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| Best Performance By a Vocal Group
| “If I Had a Hammer,” Peter, Paul and Mary
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| Best Performance By a Chorus
| Presenting the New Christy Minstrels, New Christy Minstrels
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| Best Rock and Roll Recording
| “Alley Cat,” Bent Fabric (Atco)
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| Best Rhythm and Blues Recording
| “I Can't Stop Loving You,” Ray Charles (ABC)
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| Best Jazz Performance, Soloist or Small Group (Instrumental) |
“Desafinado,” Stan Getz
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| Best Jazz Performance, Large Group (Instrumental)
| Adventures in Jazz, Stan Kenton
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| Best Original Jazz Composition
| “Cast Your Fate to the Winds,” Vince Guaraldi, composer
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| Best Country and Western Recording |
“Funny Way of Laughin',” Burl Ives (Decca)
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| Best Gospel or Other Religious Recording
| Great Songs of Love and Faith, Mahalia Jackson (Columbia)
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| Best Folk Recording
| “If I Had a Hammer,” Peter, Paul and Mary (Warner Bros.)
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| Best Performance By an Orchestra for Dancing
| Fly Me to the Moon Bossa Nova, Joe Harnell
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| Best Performance By an Orchestra or Instrumentalist With Orchestra, Not for Jazz or Dancing
| The Colorful Peter Nero, Peter Nero
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| Best Instrumental Arrangement
| “Baby Elephant Walk,” Henry Mancini, arranger
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| Best Background Arrangement
| “I Left My Heart in San Francisco,” Marty Manning, arranger
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| Best Instrumental Theme
| “A Taste of Honey,” Bobby Scott and Ric Marlow, composers
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| Best Original Cast Show Album
| No Strings, Richard Rodgers, composer (Capitol)
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| Album of the Year, Classical
| Columbia Records Presents Vladimir Horowitz, Vladimir Horowitz (Columbia)
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| Best Classical Performance, Orchestra
| Stravinsky, The Firebird Ballet, Igor Stravinsky conducting Columbia Symphony
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| Best Classical Performance, Chamber Music
| The Heifetz-Piatigorsky Concerts With Primrose, Pennario and Guests, Jascha Heifetz, Gregor Piatigorsky and William Primrose
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| Best Classical Performance, Instrumental Soloist(s) (With Orchestra)
| Stravinsky, Concerto in D for Violin, Isaac Stern; Igor Stravinsky conducting Columbia Symphony
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| Best Classical Performance, Instrumental Soloist or Duo (Without Orchestra)
| Columbia Records Presents Vladimir Horowitz, Vladimir Horowitz
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| Best Opera Recording
| Verdi, Aïda, Georg Solti conducting Rome Opera House Orchestra and Chorus; solos: Price, Vickers, Gorr, Merrill and Tozzi (RCA)
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| Best Classical Performance, Choral
| Bach, St. Matthew Passion, Philharmonia Choir, Wilhelm Pitz, choral director; Otto Klemperer conducting Philharmonic Orchestra
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| Best Classical Performance, Vocal Soloist (With or Without Orchestra)
| Wagner, Götterdämerung Brunnhilde's Immolation Scene; Wesendonck, Songs, Eileen Farrell; Leonard Bernstein conducting New York Philharmonic
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| Best Classical Composition By Contemporary Composer
| The Flood, Igor Stravinsky, composer
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| Best Comedy Performance
| The First Family, Vaughn Meader
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| Best Documentary or Spoken Word Recording (Other Than Comedy)
| The Story-Teller: A Session With Charles Laughton, Charles Laughton (Capitol)
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| Best Recording for Children
| Saint-Saëns, Carnival of the Animals; Britten, Young Person's Guide to the Orchestra, Leonard Bernstein (Columbia)
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| Best Album Cover
| Lena…Lovely and Alive, Robert Jones, art director (RCA)
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| Best Album Cover, Classical
| The Intimate Bach, Marvin Schwartz, art director (Capitol) |
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